Monday, April 11, 2011

Nonfiction is The Word for April! Enjoy!

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April, 2011
Another Book Giveaway!

The Dog that Dug for Dinosaurs

NONFICTION IS THE BUZZ WORD FOR APRIL!

We have another wonderful giveaway by our guest columnist, Shirley Raye Redmond!

Please email Kimberley at kglittle@msn.com to enter your name into the *hat* for THE DOG THAT DUG FOR DINOSAURS by Shirley Raye Redmond, published by Simon & Schuster. It's a great non-fiction book for all ages!

This is the true story about a little dog named Tray who lived in England with his owner Mary Anning, "the princess of paleontology." They unearthed dinosaur fossils together.

Feature Article

TO TELL THE TRUTH?

We are focusing on non-fiction books for our April issue of SPELLBINDERS and we decided to pick the collective brains of some of our author/librarian/teacher/scientist friends. Joining us this month are:

Shutta Crum: picture book author, novelist, and retired librarian. Her first book, Who Took My Hairy Toe? was classified as "retold folklore." Visit Shutta

Uma Krishnaswami: author of picture books, retold tales, and middle grade novels. She teaches creative writing at the Vermont College. Visit Uma

Fred Bortz: Fred Bortz holds a doctorate in physics and is one of the nation's leading writers of science and technology for young people with a twenty-five year career in teaching and research in physics, engineering, and science education. Visit Fred

Kimberley: Some of the questions we'd like to ask you are: what are the different kinds of non-fiction, the strengths of each type of non-fiction and some of your experiences and knowledge about writing non-fiction as well as how to use non-fiction effectively in the classroom.

Shutta: When exploring the different kinds of non-fiction, the librarian in me goes straight to the Dewey Decimal Numbers that include things like the social sciences (philosophy, crime, religion, etc.). The 300s include myths, folk and fairy tales, the 700s crafts, and the 800s include poetry, plays, short story collections, etc. The 900s include such things as travel and genealogy. You can get a shortened copy of Dewey and see what major groupings you can make with it.

Kimberley: Yes, yes, yes, Shutta! Thank you for including these crucial areas of the library. We got books from our local library under these Dewey numbers all the time with my boys when I was homeschooling.

Uma: Thanks, Shutta, for mentioning retold tales that all too often get thought of as "fiction." The point being not whether they are "true" or not (and what is that, anyway? One person's religious belief may be another's fairy tale) but what kind of research is needed to write them and what is the writer's obligations to stay true to the sources yielded by that research.

Carolee: That's a good point, Uma. As an educator in a public high school, I have trouble explaining this distinction to my students in a concise and meaningful way. When we study mythology, one of them will invariably ask if these stories are "real" or fiction. I will explain that they are non-fiction, which tends to make them think they really happened. They often assume that non-fiction means "real" or "true" which are sometimes difficult concepts to explain in the realm of non-fiction.

Uma: When I get asked the "is this real" question, I say, well, I didn't make it up. Someone else did, years ago. So when I rewrite a story like this, I need to stay "true" to that old version. In other words, I'm not going to meet Ganesha or Anansi or Grandmother Spider (or for that matter the animals from the Ark) in the parking lot when I leave here, but I need to pay attention to how I retell traditional stories because they're not mine to change however I want to. That's why retold tales are seen as nonfiction.

Carolee: It's a complex concept so I guess there's no quick and easy explanation.

Uma: If anyone wants to go into it further (as in middle or high school) I will talk about geography and the shaping of some stories, so that kernels of reality emerge--lost rivers, archeological discoveries, etc. and the technical differences between legend and myth, assuming you buy into those terminologies.

Kimberley: Does anyone have an observation about the current trends in publishing non-fiction?

Fred: The biggest recent change in nonfiction is the emphasis on series. The school/library publishers rarely do single titles anymore, and the trade publishers are doing more series also.

The biggest change in my own writing is a move toward speculative topics. My work-in-progress is about humanity's future in space, looking ahead to the settlement of other worlds and the possible exploration of other solar systems.

My latest book, Seven Wonders of Space Technology Visit Seven Wonders
has speculative chapters on "Moon Water and Moon Bases" and "Future Technologies for Space Travel" and a forward-looking chapter about the New Horizons Mission to Pluto and the Kuiper Belt (arrival date: 2015).

Shutta: I might add that one of the more exciting things I have seen in the last ten years is an explosion in nonfiction picture books. This usually takes the form of a picture book that focuses in on a very specific event, person, period, etc. It is presented with large illustrations as picture books are, and sometimes there are end notes to fill out the details. I am thinking of books like: Bad New for Outlaws: The Remarkable Life of Bass Reeves by Vaunda Nelson, We Are the Ship: The Story of Negro League Baseball by Kadir Nelson, and Dave the Potter: Artist, Poet, Slave by Laban Hill just to name a couple. I love this . . . it provides a good point of access to nonfiction for young readers who may still be a little fearful of text-laden nonfiction.

Carolee: I've been delighted to see the expansion of non-fiction picture books. I work with poor readers, many of whom are boys, and they often prefer non-fiction over fictional stories. Quality non-fiction trade books contain great visuals and facts that grip their attention. A textbook biography is often boring, but a biography that is structured to read like a novel or short story based on fact can be fascinating.

Fred: It's not just bios that feel like novels, and it's not just sci/fi that looks at speculative ideas.

I began to get a little bit of notice nationally when a reviewer said that my 1995 book Catastrophe! Great Engineering Failure--and Success "reads like an adventure story," and was one of nine designated a Selector's Choice on the National Science Teachers Association/Children's Book Council list of Outstanding Science Trade Books for Children for 1996.

It was then that I realized that I was at my best as a "teller of true tales." Catastrophe! was more like a short-story collection around a common theme (Murphy's Law as a recipe for success) than a novel.

Kimberley: Speaking of awards, what are the non-fiction awards out there? I know some like the Sibert, but I know I'm probably missing a lot.

Fred: I am also a winner of one of those other awards. I imagine there are several other fields that offer them. Mine was the American Institute of Physics Science Writing Award for works intended for young readers in 2002 for Techno-Matter: The Materials Behind the Marvels. That was not a true-story book, but rather an overview of materials science and engineering, though I tried to work in a little storytelling in some of the technologies I described.

Kimberley & Carolee: This is wonderful, thank you all so much! You've clarified several things as well as given good examples and the direction of series and awards. Thanks to all of you for joining us for this month's issue of SPELLBINDERS.

Special Guest Column
The ABCs of Nonfiction for Kids
with Shirley Raye Redmond

The ABCs of Nonfiction For Kids

by

Shirley Raye Redmond

Years ago I ran across a copy of Joyce Milton's nonfiction early reader, Dinosaur Days. I was amazed to learn that it has sold more than one million copies in 60 printings since it was first published by Random House in 1985. Milton's little book is even mentioned in Marc McCutcheon's, Damn! Why Didn't I Write That? How Ordinary People Are Raking in $100,000 or more Writing Nonfiction Books & How You Can Too.

Very few children's picture books or middle grade and young adult novels can boast the same success as Milton's nonfiction book about dinosaurs. Many novels don't even earn back the advance the publisher paid the author. But I didn't know that when I wrote my first children's novel, Grampa and the Ghost. I received a modest $3000 advance and was thrilled when the title later became a Weekly Reader selection. However, the book soon disappeared from shelves and book club flyers.

On the other hand, my first nonfiction titles, Lewis & Clark: a Prairie Dog for the President and Tentacles! Tales of the Giant Squid have both sold more than 200,000 copies, generating thousands of dollars in royalty income since they were released in 2004. The Lewis & Clark title even became a Children's Book of the Month Club selection, which brought in money from subsidiary rights. Is there a lesson here? Yes! If you want to break into the children's book market or earn regular writing income, try writing nonfiction.

Here's some more good news: you don't have to be an expert with a Ph.D. on the subject you want to write about. Most publishing houses have fact checkers to edit the manuscript. They will ask for your list of sources. Take careful notes. Larger houses hire professionals in the field to vet or examine the material for accuracy. Dr. Clyde Roper, a leading expert on giant squid, vetted my manuscript about this mysterious creature and provided photos for the book. Such expert examination earns high marks from teachers and librarians. I'm always happy to see my title for sale in aquarium bookstores across the country, and was delighted when the book made a recommended reading list put out by a national teachers' organization to coincide with the hit movie Night at the Museum: Battle of the Smithsonian.

Research can be fun. I love the thrill of the chase, particularly when researching a topic I'm keen about. I went to Iceland to get up close and personal with Atlantic puffins, toured Revolutionary War battlefields back east when working on Patriots in Petticoats and spent a week at Yellowstone while researching the Lewis and Clark expedition. No time to travel? Go to the library and find grown-up books on your topic. Pay attention to the authors' acknowledgments' and authors' notes. Photocopy the bibliographies and use these books as your sources. As your research folder fills up, narrow your topic to the aspect that interests you the most, and simplify what you've learned so a child can understand it.

Don't know what to write about? Keep school curricula in mind. Most textbook companies and publishers of educational materials and school library books have a calendar of themes that are covered by teachers in classrooms across the country. Did you know that Music in Our Schools month is observed nationwide each March and that September is dedicated to Character Building? Did you know that elementary youngsters do a transportation unit each fall? That helped me sell my nonfiction picture book manuscript, BLIND TOM, The Horse Who Helped Build the Great Railroad. If you tie your topic to a curriculum theme, it will pique the interest of an editor. Once the book is published, it will stay in print much longer, earning you more royalty income.

Current events can provide a wealth of ideas too. Simon and Schuster bought my nonfiction book about a real-life Pigeon Hero!when I pointed out that there was very little World War II material for first graders.

However, elementary students across the country had been helping to raise funds for the new memorial in Washington, D.C. The Alamo was released to coincide with the release of the Disney movie of the same name. Pop culture can provide marketable ideas too. Even though there's already a deluge of fairy books on the market, I convinced an editor to buy mine-- a TRUE story about the Cottingley fairy photos. The Fairy Hoax will be released by Random House in May 2012.

Years ago, an editor at a writing workshop lamented that most writers don't want to write nonfiction for children because "it isn't glamorous." Perhaps it isn't. But for the past several years, I have found it to be challenging and enjoyable, as well as profitable. Maybe you will too.

Shirley Raye Redmond

Shirley Raye Redmond knew she wanted to be a writer when she was only 12 years old. After reading Louisa May Alcott's Little Women, she made up her mind to be just like Jo March. She even tried eating apples while she was writing her stories...just like Jo!

In high school, she joined the journalism club and worked on the student newspaper. She went on to college and earned an M.A. in English from the University of Illinois-Springfield.

She wrote more than 400 magazine and newspaper articles before writing her first book for children. Now Shirley Raye writes full time. She's always working on a new book. Check out the Books section of this of this website to find out what she's been up to!

Read Shirley Raye at her Website!

Kimberley's Book Buzz
Kimberley Griffiths Little

Kimberley Little

Kimberley Griffiths Little

More from Shirley Raye Redmond: Using Nonfiction Books in the Classroom

I love to receive letters or emails from young students who read my books. Many teachers and librarians require youngsters to write to the authors to tell them what they liked best about their books. Recently, I had an email from an 8-year-old in England whose teacher had read THE DOG THAT DUG FOR DINOSAURS in class and asked the youngsters to come up with an art project. Lydia decided to make finger puppets of Tray and Mary Ann.

DOG

Some teachers combine a geography lesson with the reading of a book. Have youngsters trace Lewis & Clark's route across the United States from St. Louis to the Pacific Ocean or G. I. Joe's flight from Italy to the Allied airfield in France. The publisher of BLIND TOM, THE HORSE WHO HELPED BUILD THE GREAT RAILROAD actually included a map and a "Learn More" page at the back of the book, with activities and a link to my website where interested youngsters can read an article about Chief Spotted Tail and his race against the Iron Horse.

Blind Tom

I always provide a list of kid-friendly websites at the back of my nonfiction books for Kidhaven Press, such as CERBERUS, MERMAIDS, and OAK ISLAND TREASURE PIT. These sites often provide mazes and puzzles, vocabulary lists and even recipes.

CerberusOak Island

NOTE FROM KIMBERLEY:

Do you have a hard time creating ideas (or finding the time to create lesson plans and ideas) to bring real books alive for you students or children?

Today with the ease of the Internet, every author has a website and most authors have created Teacher's Guides or have Teacher and Parent Pages with ideas on how to use their books in the classroom or home.

Using already made guides can save lots of time or help you to incorporate all those fantastic books from the Dewey Decimal System into your class and home life.

Google a few authors and discover with a few clicks the ease of using all those very cool, nonfiction books! Especially for your kid readers who can't sit still with a novel and want pictures, photographs and fun charts and diagrams.

Kimberley Griffiths Little is the author of:

The Healing Spell (Scholastic)

Circle of Secrets (Scholastic, October 2011)

To find out more about Kimberley, her books, book trailers, and Author School visits, visit her website at www.kimberleygriffithslittle.com

The Secret Language of Stories
Carolee Dean
Carolee Dean
Carolee Dean

This column usually explores the structure of fictional stories. This month, with the focus on non-fiction, I will use my 12 step story analysis method to discuss the true story of a girl named Sadako who developed leukemia as a result of radiation exposure during WWII.

Sadako and the Thousand Paper Cranes by Eleanor Coerr is available through Puffin Books as both a short chapter book (ISBN 0-14-240113-7) and a picture book (ISBN 0-698-11588-0)Sadako Cover

OLD WORD - Sadako enjoys life with her family in Post World War II Japan. She loves running and wants to be on the junior high track team the following year. As the story opens, she goes with her family to a Peace Day celebration on August 6th to commemorate the dropping of the atom bomb. Sadako lights a lantern in memory of her grandmother who died from radiation poisoning.

CALL AND RESPONSE- Sadako begins to feel dizzy frequently when she runs, but decides not to tell anyone. One day she faints at school.

CROSSING OVER-Her parents take her to the hospital where the doctor tells them she has leukemia, brought on from radiation exposure.

MENTORS, GUIDES & GIFTS- Sadako's best friend, Chizuko, visits her in the hospital and tells her that according to an old, Japanese folk tale, if someone gets sick and they make one thousand paper cranes, the gods will make them well.

NEW WORLD- Sadako must stay in the hospital without her family. She must get used to frequent shots and being alone. She does her homework, writes letters, and makes paper cranes.

PROBLEMS, PRIZES, PLANS- Sadako sees some of the leukemia patients getting well and she becomes determined that she will make one thousand paper cranes and get well, too. Her friend, Chizuko, brings paper from their bamboo class and her father saves paper from the barber shop. When she makes the cranes, her brother hangs them on the ceiling so they look like a flock of birds. She soon has three hundred cranes.

MIDPOINT CHALLENGE- One day when Sadako is too weak to work on the cranes, she befriends a boy named Kenji. He soon dies of leukemia and Sadako despairs that she will be next. Her bamboo class sends her a special Kokeshi doll to cheer her up.

DOWNTIME- Sadako starts to get her strength back. When she is halfway to her goal of one thousand cranes, she improves enough to leave the hospital, just in time for O Bon, a celebration for spirits of the dead.

CHASE/ESCAPE/PURSUIT- Many people come to visit Sadako while she is at home. She becomes very tired and has to return to the hospital. The doctor gives her blood transfusions and shots almost every day, trying to battle the disease ravaging her body.

CLIMAX- Sadako's family comes for a special visit. Her mother brings a gift, an expensive kimono she has made. Sadako's best friend, Chizuko, is allowed to come as well and the whole group sings songs and plays games. Sadako makes one last paper crane.

DEATH EXPERIENCE- Sadako is too weak to make any more cranes. She falls asleep in exhaustion and when she awakens, she sees her family standing around her. She is happy to know that she will always be part of that loving circle. Death can't take that from her. As she feels her life slipping away, she reaches out to touch a golden crane and it makes her feel stronger. Right before she dies, she looks at the flock of cranes hanging from the ceiling and she thinks about how beautiful they are.

REWARD- Sadako had made a total of 654 paper cranes. Her classmates fold the remaining 356 paper cranes so that Sadako can be buried with one thousand. Her bamboo class collects her letters and journals and they begin to circulate around Japan in the form of a book entitled Kokeshi, the name of her favorite doll. She continues to live on in the hearts and minds of people who read her story. In 1958 a statue of Sadako holding a golden crane is erected in the Hiroshima Peace Park. A Folded Crane Club places thousands of paper cranes at the base of her statue every August 6th on Peace Day.

This story is a compelling example of a biography told in beautiful narrative form. Information presented in the form of a story compels readers so much more than facts and dates ever can.

For an example of how to use non-fiction resources to encourage students to create stories, see this month's writing activity on my Blog

Carolee Dean is a high school speech-language pathologist and young adult author of:

COMFORT (Houghton Mifflin)

TAKE ME THERE (Simon Pulse)

NO WAY OUT (Simon Pulse, 2012)

To find out about her books, writing activities, and author/poet visits, go to her website.



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Tuesday, March 8, 2011

Special March Book Trailer Issue!

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March, 2011
Another Book Giveaway!

Stuck in Neutral

The Winner of Stuck in Neutral by Terry Trueman is . . .Lori Kadosh of Austin, Texas!!!

Congratulations, Lori!

Please email Kimberley at kglittle@msn.com with your snail mail address and your copy of Stuck in Neutral, will be on its way to you!

Feature Article

THE MAKING OF A BOOK TRAILER by Kimberley Griffiths Little


Over the last 2-3 years book trailers have become the new rave for book lovers, whether you're a reader or a writer. A book trailer is just like a movie trailer-a 1-2 minute tease or preview of the story and plot.


About 75% of all new books each year have a book trailer created for it - and many students and kids and teens are creating book trailers for their favorite books. Just go to YouTube and see all the fan-made book trailers for Twilight, for example.


Some book trailers are created by the author, some by the publisher, and some by a combination of the two or in conjunction with a trailer making company.


Book trailers can by humorous, spooky, or suspenseful. In the beginning, book trailers were created with still photography or images, and a running line of text to explain the storyline with music added that fit the mood of the book. Recently, book trailers are being created with live action filming and voice-overs.

HealingSpellCover

Ever since book trailers hit the YouTube and blogging scene, I've been gobbling up the newest ones for Young Adult and Middle-Grade novels and I couldn't wait to do my own for The Healing Spell (Scholastic, 2010).

(And now there are book trailers for picture books! See this terrific one: Hot Rod Hamster by Newbery-Honor Winner Cynthia Lord)


By the time I started thinking about the script for my book trailer I realized that I didn't have the computer software or any movie-making experience, but I'd watched a couple hundred book trailers and had spent a lot of time thinking about what worked and what didn't and what I wanted to do differently.


I found Shayne Leighton, a very talented college film student through my good friend, Cynthia Leitich Smith (who runs a fabulous blog for the children's book biz called, Cynsations).

Shayne was an absolute delight to work with. I sent her a synopsis and details of my story and she went to work searching for free images that could visually tell the story. I spent a lot of time searching, too, and I began to realize that it was proving difficult to find the specialized images for the swamps and magical elements that were a part of The Healing Spell.

I was having a difficult time finding the right music to evoke the feeling and setting of the novel, too.


Since every book trailer at this point was a line of running text (or text fading in and out) I decided that it would be very different and wonderful to create a voice-over instead, but neither she nor I had the capability at that point.


I wrote a script for the voice-over and turned to my long-time friend, Cindy-Rae Jones who, with her son Bet, had recently launched their own music business, writing and creating music as well as building their own sound studio. Nua Music was born. They also specialized in sound design. (Listen for all the critters, gators and special effects when you watch the trailer!)

Shayne turned over the images she'd found - about half within the final trailer - and I went to Louisiana on another research trip to take more pictures of what I needed. I also spent hours creating the images I couldn't find or took them myself with a new camera


The response has been overwhelming. Everyone who sees it says it's the best trailer they've ever seen. My book trailer was even a finalist in School Library Journals first ever book trailer contest so the result has been very satisfying.


I just finished the editorial and production work with Scholastic for my next novel, Circle of Secrets (October 2011) and Nua Music and I are already talking about ideas for this new trailer. I've written the script and we're planning a research trip to New Orleans in June to do live filming-so it will be filmed like a real movie instead of the photography still shots.


My friends at Nua Music say that this next book trailer will be even better! Hey, I'm sold!


The Healing Spell Book Trailer


The Healing Spell at Amazon


The Healing Spell at Barnes & Noble


The Healing Spell on Goodreads


Kimberley's Website with a Swampy Flair!


You can listen to the full original song written for my book trailer AND download it to your Ipod or computer for FREE!!!

Scholastic link to my book trailer music for Free Download!

Special Column
Q&A with Elementary School Librarian Cynthia Stogdill by Kimberley Griffiths Little

Are YOU interested in helping your students create book trailers of their own for their favorite book?

I discovered a wonderful librarian from an elementary school in Nebraska, Cynthia Stogdill, who just finished this terrific experience with her students. She graciously agreed to let me pick her brain on how she accomplished this in the short time span of a mere two weeks! Here's our discussion:

Kimberley: How did you first come up with the idea to have your students create book trailers?

Cynthia: My daughter's former teacher introduced me to book trailers. She used them in her classroom for different things and she knew I was in "library school." I was brainstorming for different ideas for my after school reading enrichment program, and I thought book trailers would be something we could try. I try to incorporate some creativity, as well as higher level thinking in our activities. My activity units run for two weeks. We meet on two afternoons a week so everyone has an opportunity to participate at some time. For this activity we did the planning one day, filmed on two days, and had our screening party on the last day.

Kimberley: How did you choose the books?

Cynthia: I let the students pick the books they wanted to feature. The only stipulation was that they had to have read the book at some time.

Kimberley: How was it set up? Did they work by classes or in teams? Which grades were involved?

Cynthia: This activity was part of the after-school reading enrichment program. It is open to our students in grades 1-4, and we also have some older students drop by, as well. The students created individual book trailers, but were supported by their peers.

They discussed their ideas with each other offering ideas and suggestions before we started the taping process. I really stress character development with my students, so I insisted that they be constructive and supportive with each other. A few of the students chose not to participate, but they stayed close by, watched, and offered support to the other students.

We kept the process pretty simple and kept the length to less than a minute. That forced the students to be concise and to the point.

Kimberley: Did they write their own script? Did they storyboard it out like a movie?

Cynthia: I provided the students with a brief questionnaire to help them outline their book trailer. It consisted of the book's title, author and/or illustrator, and brief summary of the book. It also included a comment on why someone should or would want to read that particular book. I encouraged them to prepare that ahead of time and use it as a guide when they were practicing.

Some students followed their outline very closely, and some didn't use a guide at all. Additionally, I used the questionnaire as a springboard to get them to really think about their book and why they would recommend it to someone. I really wanted them to move to a reflective level of thought. In general, I think they accomplished this because they were discussing their choices with each other.

Kimberley: How did they film the trailers? What technology did you use?

Cynthia: I did all the filming with my Flip video camera. It is easy to use, has a two hour memory, and long battery life. My kids use it to film plays, sock monkeys, and our pets all the time. It might sound like a commercial, but it is a great all purpose camera at an affordable price. It was perfect for this project.

Kimberley:Did you use any music/song background for the trailers?

Cynthia: Some of the book trailers have a background sound track. I ripped short pieces of music and overlapped them to create a repeating background track. I avoided using whole pieces of music for copyright reasons.

Kimberley: How were they edited? How many book trailers were created all together?

Cynthia: I used Windows Moviemaker to create the book trailers - I am a PC person. After doing some research, I chose this software for our project. Ideally, something like Garage Band would have been perfect, but I didn't have ready access to that software. Moviemaker allowed me to edit the clips, piece them together with transitions, add titles and credits, and soundtrack. The software then allows you to transfer the videos onto a DVD.

One can also use photos instead of video clips, so that is an option. (Like The Healing Spell - which is a great example of another way to do a book trailer!!!!) Video can be a big challenge but nothing a brave librarian can't handle.


My students were younger, so the editing process rested on my shoulders and we kept it really simple. We created about twelve book trailers that were thirty to sixty seconds long. That translated into about eight hours of editing. I think older students would have a great time creating and editing their own work. If a librarian had access to a good editing program and time to familiarize students with its workings, this would make a great performance assessment.

Kimberley: Did you have any sort of competition with the book trailers? Prizes?

Cynthia: Nope, just for fun. In the future, I would have an awards ceremony and find some plastic statues to give to the students - similar to the Oscars. Just for the fun of it.

Kimberley: What was your culminating activity to show off the book trailers?

Cynthia: We finished the book trailer activity with a screening party. The students had popcorn and pretzels, and they were sprawled out on the floor. It really was like a movie party. We watched all the book trailers and then I created a Blooper video with some of their outtakes and mistakes. That was the last thing on the DVD. I think we watched the entire DVD three times.

Our screening also fell on parent teacher conferences and our Book Fair. I had given the DVD to the principal after our party, and she actually had it running in a conference room for parents to stop in and watch.

Kimberley: What a great, easy way to let the parents see the book trailers of their children!

Cynthia: Looking back, I wish we would have had the DVD running for both nights of parent-teacher conferences and the Book Fair. Unfortunately, we had some snow days and I really wanted the students to be the first ones to watch the DVD.

In closing, this was not a complicated process. The Moviemaker program takes a little practice, but it was fun and pretty straightforward. This activity will definitely make an appearance in the future. I am so proud of the students and their focus and commitment to putting together something really special.

Kimberley: You make this whole process seem very doable for any school or classroom. Thank you so much, Cynthia, for being with us here at SPELLBINDERS. What a treat!

Please go to Cynthia Stogdill's new blog for her elementary school to see the videos they created: http://besbobcatlibrary.wordpress.com/

Kimberley's Book Buzz
Kimberley Griffiths Little

Kimberley Little

Kimberley Griffiths Little

This month we're all about the Book TRAILER Buzz so I thought I'd throw out a few more intriguing book trailers for you to view and get an idea of the sheer variety of trailers there are out in the world. Every trailer is different, just like every story is different, whether told through a movie, short story, or novel.


As mentioned above in the Feature Article, just a mere two years ago book trailers were the *new* thing in book publicity and marketing. Using a social and visual media - as well as an online media that kids and teens really tune into - seemed like a great way to reach potential readers. Now book trailers are practically part of the standard promotion package for the launch of a new book.


It is true that most trailers have been produced for Young Adult novels, which makes sense since YA trailers are more easily geared to teens who are online. Elementary age students' online activities are much more parentally-controlled and supervised. Teens are blogging and Face-booking like crazy. Third-graders are not. But since book trailers in general have become so popular, middle-grade novels as well as picture books are being made into trailers.


Here are a few for your enjoyment. AND don't forget that you can always do a search on Google or You Tube by plugging in the title and/or author of a book and find out within seconds if there's been a book trailer created for it. Then pass the link along to your friends, family, students or children!

Book trailers are truly enhancing the reading experience - which is a very good thing for book lovers and those who are trying to encourage the young people in their life to become book lovers. A win-win situation all around!


(Note: Each link embedded within the book title will take you to the book trailer at YouTube. If your school computer doesn't allow this be sure and follow the links within this issue at home and don't miss out!)


First up is your SPELLBINDER'S book trailers!

HealingSpellCoverThe Healing Spell by Kimberley Griffiths Little

A story of gators and magic and sisters and secrets on the bayou. While hiding a pet baby alligator as well as a terrible secret, Livie must travel deep in the forbidden swamp to get a healing spell from the mysterious folk healer .


Take Me There by Carolee DeanTake Me There by Carolee Dean


Seventeen-year-old Dylan is trying to get his life together so he can be with rich, beautiful Jess, but trouble seems to follow him everywhere. On the run from the law and an LA gang, he goes to Texas to find his father who is on death row. He wants to know if badness is in his blood, or if it is something he can outrun.

Fantastic Secret of Owen Jester

The Fantastic Secret of Owen Jester by Barbara O'Connor

Owen Jester has captured the biggest, greenest, slimiest, most beautiful bullfrog ever and named it Tooley Graham, but this is not Owen's fantastic secret. That arrives the night he hears something fall off a passing train . . .



Everlasting

Everlasting by Angie Frazier


Historical fiction set in 1855 about a girl on a ship from San Francisco to Australia, and a treasure map that leads to a magical stone. Danger and romance included!



Beautiful CreaturesBeautiful Creatures by Kami Garcia and Margie Stohl

Beautiful Creatures is a delicious southern Gothic that charms you from the first page, drawing you into a dark world of magic and mystery.






For more book trailers check out the website Slime Kids to see trailers from the past few years:http://www.slimekids.com/trailers.shtml


AND don't forget Teacher Tube!



Kimberley Griffiths Little is the author of:

The Healing Spell (Scholastic)

Circle of Secrets (Scholastic, October 2011)

To find out more about Kimberley, her books, book trailers, and Author School visits, visit her website at www.kimberleygriffithslittle.com


The Secret Language of Stories
Carolee Dean
Carolee Dean
Carolee Dean

Since this month's issue is all about book trailers, I will discuss how to use book trailers for inspiring reading as well as supporting curriculum through the Multiple Intelligences.


First I'd like to start out by talking about my new book trailer for Take Me There.


I had a specific vision for this story of a dyslexic poet on the wrong side of the law who is trying to turn his life around so he can be with the girl he loves. Because the novel includes many original poems, and because I have background in music, I wanted my trailer to look like a music video.


cover for Take Me There
Cover for Take Me There

I dusted off my old guitar, took one of the poems from the book, and turned it into a song. Then I set out looking for someone who could take the outline I had created and turn it into a video. I was lucky enough to find Josh Stuyvesant, a local film student, Josh has a friend, Kyle Ruggles, who is a fabulous musician.


Kyle took the melody line and guitar chords I had created and turned the music into something quite extraordinary.


Kyle and Josh are in the process of launching a new venture called WRITER'S BLOCK, where they hope to help other authors and business people promote their products through video.


To visit Writers Block Go To Writers Block

To view the book trailer Go Here

Working on this project with Josh and Kyle reminded me of all the different ways we can connect with stories. Howard Gardner, in his groundbreaking book, Frames of Mind: The Theory of Multiple Intelligences, along with his subsequent works, has discusses the fact that students should have the opportunity to demonstrate their understanding of a subject in ways that make sense to them, according to their various areas of strength or intelligence.


Providing students with opportunities to make book trailers gives them the chance to use their strengths to demonstrate how they connected with a particular story. When they share their trailers with others, they encourage them to get excited about books. Book trailers can be made available in the library for students to view when considering what books they may want to read.


Below is a list of a few of the ways that making book trailers can support the various intelligences.


Spatial Intelligence refers to the ability to envision a final product. Students use spatial intelligence when deciding which visual images to use to depict various parts of a story. Choosing photographs or creating pictures for a slide show as well as staging a scene to video tape all rely on spatial intelligence.


Linguistic Intelligence refers to the use of words in either written or spoken form. Students use linguistic intelligence when writing a script for a video, composing lines for a voice-over, or deciding which words will appear on screen with which visual images.


Logical-Mathematical Intelligence is displayed through reasoning, performing calculations, and recognizing patterns. The video editing process involves taking visual images, whether in slides or video clips, and connecting these with sound. The film editing process requires sequencing and understanding of programs such as Movie Maker, which is available through most Microsoft Word programs.


Bodily-Kinesthetic Intelligence addresses the body motion, timing, and reflexes - skills required in sports, dance, and acting as well as the type of muscle memory that is required to play an instrument. Students use this type of intelligence when they act or dance in videos and when they pose for still shots for slide shows. Playing an instrument also involves this type of intelligence as does handling video equipment.


Musical Intelligence has to do with awareness of sounds and rhythms. People who play instruments, sing, or compose background music for a video demonstrate this type of intelligence, but so do people who simply select a piece of music that conveys the mood of a story.


Interpersonal Intelligence refers to people who interact well with others. Students who serve as directors to oversee a final product are using interpersonal intelligence.


Intrapersonal Intelligence relates to having self-reflection, intuition, and understanding of personal feelings and motivations. Students demonstrate intrapersonal intelligence when they view book trailers and are then asked to write about their personal responses to the videos and use that information to select a story they might want to read.


Naturalistic Intelligence has to do with having a relationship to one's natural surroundings. Students use naturalistic intelligence when they go outdoors to film or take photographs and have to incorporate things like lighting and weather into their final product. Deciding which elements of nature found in the limited surrounding of the school grounds can be made to fit into the setting of the novel, also incorporates this type of intelligence.


Book trailers are great ways for students to show their connection to a book as well as to promote books to their peers.


For an example of how I created a "script" for my book trailer, visit the blog on my website at www.caroleedean.com

Carolee Dean is a high school speech-language pathologist and author of:

COMFORT (Houghton Mifflin)

TAKE ME THERE (Simon Pulse)

NO WAY OUT (Simon Pulse, 2012)

To find out about her books, writing activities, and author/poet visits, go to her website.



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