Tuesday, March 8, 2011

Special March Book Trailer Issue!

Spellbinders Logo
March, 2011
Another Book Giveaway!

Stuck in Neutral

The Winner of Stuck in Neutral by Terry Trueman is . . .Lori Kadosh of Austin, Texas!!!

Congratulations, Lori!

Please email Kimberley at kglittle@msn.com with your snail mail address and your copy of Stuck in Neutral, will be on its way to you!

Feature Article

THE MAKING OF A BOOK TRAILER by Kimberley Griffiths Little


Over the last 2-3 years book trailers have become the new rave for book lovers, whether you're a reader or a writer. A book trailer is just like a movie trailer-a 1-2 minute tease or preview of the story and plot.


About 75% of all new books each year have a book trailer created for it - and many students and kids and teens are creating book trailers for their favorite books. Just go to YouTube and see all the fan-made book trailers for Twilight, for example.


Some book trailers are created by the author, some by the publisher, and some by a combination of the two or in conjunction with a trailer making company.


Book trailers can by humorous, spooky, or suspenseful. In the beginning, book trailers were created with still photography or images, and a running line of text to explain the storyline with music added that fit the mood of the book. Recently, book trailers are being created with live action filming and voice-overs.

HealingSpellCover

Ever since book trailers hit the YouTube and blogging scene, I've been gobbling up the newest ones for Young Adult and Middle-Grade novels and I couldn't wait to do my own for The Healing Spell (Scholastic, 2010).

(And now there are book trailers for picture books! See this terrific one: Hot Rod Hamster by Newbery-Honor Winner Cynthia Lord)


By the time I started thinking about the script for my book trailer I realized that I didn't have the computer software or any movie-making experience, but I'd watched a couple hundred book trailers and had spent a lot of time thinking about what worked and what didn't and what I wanted to do differently.


I found Shayne Leighton, a very talented college film student through my good friend, Cynthia Leitich Smith (who runs a fabulous blog for the children's book biz called, Cynsations).

Shayne was an absolute delight to work with. I sent her a synopsis and details of my story and she went to work searching for free images that could visually tell the story. I spent a lot of time searching, too, and I began to realize that it was proving difficult to find the specialized images for the swamps and magical elements that were a part of The Healing Spell.

I was having a difficult time finding the right music to evoke the feeling and setting of the novel, too.


Since every book trailer at this point was a line of running text (or text fading in and out) I decided that it would be very different and wonderful to create a voice-over instead, but neither she nor I had the capability at that point.


I wrote a script for the voice-over and turned to my long-time friend, Cindy-Rae Jones who, with her son Bet, had recently launched their own music business, writing and creating music as well as building their own sound studio. Nua Music was born. They also specialized in sound design. (Listen for all the critters, gators and special effects when you watch the trailer!)

Shayne turned over the images she'd found - about half within the final trailer - and I went to Louisiana on another research trip to take more pictures of what I needed. I also spent hours creating the images I couldn't find or took them myself with a new camera


The response has been overwhelming. Everyone who sees it says it's the best trailer they've ever seen. My book trailer was even a finalist in School Library Journals first ever book trailer contest so the result has been very satisfying.


I just finished the editorial and production work with Scholastic for my next novel, Circle of Secrets (October 2011) and Nua Music and I are already talking about ideas for this new trailer. I've written the script and we're planning a research trip to New Orleans in June to do live filming-so it will be filmed like a real movie instead of the photography still shots.


My friends at Nua Music say that this next book trailer will be even better! Hey, I'm sold!


The Healing Spell Book Trailer


The Healing Spell at Amazon


The Healing Spell at Barnes & Noble


The Healing Spell on Goodreads


Kimberley's Website with a Swampy Flair!


You can listen to the full original song written for my book trailer AND download it to your Ipod or computer for FREE!!!

Scholastic link to my book trailer music for Free Download!

Special Column
Q&A with Elementary School Librarian Cynthia Stogdill by Kimberley Griffiths Little

Are YOU interested in helping your students create book trailers of their own for their favorite book?

I discovered a wonderful librarian from an elementary school in Nebraska, Cynthia Stogdill, who just finished this terrific experience with her students. She graciously agreed to let me pick her brain on how she accomplished this in the short time span of a mere two weeks! Here's our discussion:

Kimberley: How did you first come up with the idea to have your students create book trailers?

Cynthia: My daughter's former teacher introduced me to book trailers. She used them in her classroom for different things and she knew I was in "library school." I was brainstorming for different ideas for my after school reading enrichment program, and I thought book trailers would be something we could try. I try to incorporate some creativity, as well as higher level thinking in our activities. My activity units run for two weeks. We meet on two afternoons a week so everyone has an opportunity to participate at some time. For this activity we did the planning one day, filmed on two days, and had our screening party on the last day.

Kimberley: How did you choose the books?

Cynthia: I let the students pick the books they wanted to feature. The only stipulation was that they had to have read the book at some time.

Kimberley: How was it set up? Did they work by classes or in teams? Which grades were involved?

Cynthia: This activity was part of the after-school reading enrichment program. It is open to our students in grades 1-4, and we also have some older students drop by, as well. The students created individual book trailers, but were supported by their peers.

They discussed their ideas with each other offering ideas and suggestions before we started the taping process. I really stress character development with my students, so I insisted that they be constructive and supportive with each other. A few of the students chose not to participate, but they stayed close by, watched, and offered support to the other students.

We kept the process pretty simple and kept the length to less than a minute. That forced the students to be concise and to the point.

Kimberley: Did they write their own script? Did they storyboard it out like a movie?

Cynthia: I provided the students with a brief questionnaire to help them outline their book trailer. It consisted of the book's title, author and/or illustrator, and brief summary of the book. It also included a comment on why someone should or would want to read that particular book. I encouraged them to prepare that ahead of time and use it as a guide when they were practicing.

Some students followed their outline very closely, and some didn't use a guide at all. Additionally, I used the questionnaire as a springboard to get them to really think about their book and why they would recommend it to someone. I really wanted them to move to a reflective level of thought. In general, I think they accomplished this because they were discussing their choices with each other.

Kimberley: How did they film the trailers? What technology did you use?

Cynthia: I did all the filming with my Flip video camera. It is easy to use, has a two hour memory, and long battery life. My kids use it to film plays, sock monkeys, and our pets all the time. It might sound like a commercial, but it is a great all purpose camera at an affordable price. It was perfect for this project.

Kimberley:Did you use any music/song background for the trailers?

Cynthia: Some of the book trailers have a background sound track. I ripped short pieces of music and overlapped them to create a repeating background track. I avoided using whole pieces of music for copyright reasons.

Kimberley: How were they edited? How many book trailers were created all together?

Cynthia: I used Windows Moviemaker to create the book trailers - I am a PC person. After doing some research, I chose this software for our project. Ideally, something like Garage Band would have been perfect, but I didn't have ready access to that software. Moviemaker allowed me to edit the clips, piece them together with transitions, add titles and credits, and soundtrack. The software then allows you to transfer the videos onto a DVD.

One can also use photos instead of video clips, so that is an option. (Like The Healing Spell - which is a great example of another way to do a book trailer!!!!) Video can be a big challenge but nothing a brave librarian can't handle.


My students were younger, so the editing process rested on my shoulders and we kept it really simple. We created about twelve book trailers that were thirty to sixty seconds long. That translated into about eight hours of editing. I think older students would have a great time creating and editing their own work. If a librarian had access to a good editing program and time to familiarize students with its workings, this would make a great performance assessment.

Kimberley: Did you have any sort of competition with the book trailers? Prizes?

Cynthia: Nope, just for fun. In the future, I would have an awards ceremony and find some plastic statues to give to the students - similar to the Oscars. Just for the fun of it.

Kimberley: What was your culminating activity to show off the book trailers?

Cynthia: We finished the book trailer activity with a screening party. The students had popcorn and pretzels, and they were sprawled out on the floor. It really was like a movie party. We watched all the book trailers and then I created a Blooper video with some of their outtakes and mistakes. That was the last thing on the DVD. I think we watched the entire DVD three times.

Our screening also fell on parent teacher conferences and our Book Fair. I had given the DVD to the principal after our party, and she actually had it running in a conference room for parents to stop in and watch.

Kimberley: What a great, easy way to let the parents see the book trailers of their children!

Cynthia: Looking back, I wish we would have had the DVD running for both nights of parent-teacher conferences and the Book Fair. Unfortunately, we had some snow days and I really wanted the students to be the first ones to watch the DVD.

In closing, this was not a complicated process. The Moviemaker program takes a little practice, but it was fun and pretty straightforward. This activity will definitely make an appearance in the future. I am so proud of the students and their focus and commitment to putting together something really special.

Kimberley: You make this whole process seem very doable for any school or classroom. Thank you so much, Cynthia, for being with us here at SPELLBINDERS. What a treat!

Please go to Cynthia Stogdill's new blog for her elementary school to see the videos they created: http://besbobcatlibrary.wordpress.com/

Kimberley's Book Buzz
Kimberley Griffiths Little

Kimberley Little

Kimberley Griffiths Little

This month we're all about the Book TRAILER Buzz so I thought I'd throw out a few more intriguing book trailers for you to view and get an idea of the sheer variety of trailers there are out in the world. Every trailer is different, just like every story is different, whether told through a movie, short story, or novel.


As mentioned above in the Feature Article, just a mere two years ago book trailers were the *new* thing in book publicity and marketing. Using a social and visual media - as well as an online media that kids and teens really tune into - seemed like a great way to reach potential readers. Now book trailers are practically part of the standard promotion package for the launch of a new book.


It is true that most trailers have been produced for Young Adult novels, which makes sense since YA trailers are more easily geared to teens who are online. Elementary age students' online activities are much more parentally-controlled and supervised. Teens are blogging and Face-booking like crazy. Third-graders are not. But since book trailers in general have become so popular, middle-grade novels as well as picture books are being made into trailers.


Here are a few for your enjoyment. AND don't forget that you can always do a search on Google or You Tube by plugging in the title and/or author of a book and find out within seconds if there's been a book trailer created for it. Then pass the link along to your friends, family, students or children!

Book trailers are truly enhancing the reading experience - which is a very good thing for book lovers and those who are trying to encourage the young people in their life to become book lovers. A win-win situation all around!


(Note: Each link embedded within the book title will take you to the book trailer at YouTube. If your school computer doesn't allow this be sure and follow the links within this issue at home and don't miss out!)


First up is your SPELLBINDER'S book trailers!

HealingSpellCoverThe Healing Spell by Kimberley Griffiths Little

A story of gators and magic and sisters and secrets on the bayou. While hiding a pet baby alligator as well as a terrible secret, Livie must travel deep in the forbidden swamp to get a healing spell from the mysterious folk healer .


Take Me There by Carolee DeanTake Me There by Carolee Dean


Seventeen-year-old Dylan is trying to get his life together so he can be with rich, beautiful Jess, but trouble seems to follow him everywhere. On the run from the law and an LA gang, he goes to Texas to find his father who is on death row. He wants to know if badness is in his blood, or if it is something he can outrun.

Fantastic Secret of Owen Jester

The Fantastic Secret of Owen Jester by Barbara O'Connor

Owen Jester has captured the biggest, greenest, slimiest, most beautiful bullfrog ever and named it Tooley Graham, but this is not Owen's fantastic secret. That arrives the night he hears something fall off a passing train . . .



Everlasting

Everlasting by Angie Frazier


Historical fiction set in 1855 about a girl on a ship from San Francisco to Australia, and a treasure map that leads to a magical stone. Danger and romance included!



Beautiful CreaturesBeautiful Creatures by Kami Garcia and Margie Stohl

Beautiful Creatures is a delicious southern Gothic that charms you from the first page, drawing you into a dark world of magic and mystery.






For more book trailers check out the website Slime Kids to see trailers from the past few years:http://www.slimekids.com/trailers.shtml


AND don't forget Teacher Tube!



Kimberley Griffiths Little is the author of:

The Healing Spell (Scholastic)

Circle of Secrets (Scholastic, October 2011)

To find out more about Kimberley, her books, book trailers, and Author School visits, visit her website at www.kimberleygriffithslittle.com


The Secret Language of Stories
Carolee Dean
Carolee Dean
Carolee Dean

Since this month's issue is all about book trailers, I will discuss how to use book trailers for inspiring reading as well as supporting curriculum through the Multiple Intelligences.


First I'd like to start out by talking about my new book trailer for Take Me There.


I had a specific vision for this story of a dyslexic poet on the wrong side of the law who is trying to turn his life around so he can be with the girl he loves. Because the novel includes many original poems, and because I have background in music, I wanted my trailer to look like a music video.


cover for Take Me There
Cover for Take Me There

I dusted off my old guitar, took one of the poems from the book, and turned it into a song. Then I set out looking for someone who could take the outline I had created and turn it into a video. I was lucky enough to find Josh Stuyvesant, a local film student, Josh has a friend, Kyle Ruggles, who is a fabulous musician.


Kyle took the melody line and guitar chords I had created and turned the music into something quite extraordinary.


Kyle and Josh are in the process of launching a new venture called WRITER'S BLOCK, where they hope to help other authors and business people promote their products through video.


To visit Writers Block Go To Writers Block

To view the book trailer Go Here

Working on this project with Josh and Kyle reminded me of all the different ways we can connect with stories. Howard Gardner, in his groundbreaking book, Frames of Mind: The Theory of Multiple Intelligences, along with his subsequent works, has discusses the fact that students should have the opportunity to demonstrate their understanding of a subject in ways that make sense to them, according to their various areas of strength or intelligence.


Providing students with opportunities to make book trailers gives them the chance to use their strengths to demonstrate how they connected with a particular story. When they share their trailers with others, they encourage them to get excited about books. Book trailers can be made available in the library for students to view when considering what books they may want to read.


Below is a list of a few of the ways that making book trailers can support the various intelligences.


Spatial Intelligence refers to the ability to envision a final product. Students use spatial intelligence when deciding which visual images to use to depict various parts of a story. Choosing photographs or creating pictures for a slide show as well as staging a scene to video tape all rely on spatial intelligence.


Linguistic Intelligence refers to the use of words in either written or spoken form. Students use linguistic intelligence when writing a script for a video, composing lines for a voice-over, or deciding which words will appear on screen with which visual images.


Logical-Mathematical Intelligence is displayed through reasoning, performing calculations, and recognizing patterns. The video editing process involves taking visual images, whether in slides or video clips, and connecting these with sound. The film editing process requires sequencing and understanding of programs such as Movie Maker, which is available through most Microsoft Word programs.


Bodily-Kinesthetic Intelligence addresses the body motion, timing, and reflexes - skills required in sports, dance, and acting as well as the type of muscle memory that is required to play an instrument. Students use this type of intelligence when they act or dance in videos and when they pose for still shots for slide shows. Playing an instrument also involves this type of intelligence as does handling video equipment.


Musical Intelligence has to do with awareness of sounds and rhythms. People who play instruments, sing, or compose background music for a video demonstrate this type of intelligence, but so do people who simply select a piece of music that conveys the mood of a story.


Interpersonal Intelligence refers to people who interact well with others. Students who serve as directors to oversee a final product are using interpersonal intelligence.


Intrapersonal Intelligence relates to having self-reflection, intuition, and understanding of personal feelings and motivations. Students demonstrate intrapersonal intelligence when they view book trailers and are then asked to write about their personal responses to the videos and use that information to select a story they might want to read.


Naturalistic Intelligence has to do with having a relationship to one's natural surroundings. Students use naturalistic intelligence when they go outdoors to film or take photographs and have to incorporate things like lighting and weather into their final product. Deciding which elements of nature found in the limited surrounding of the school grounds can be made to fit into the setting of the novel, also incorporates this type of intelligence.


Book trailers are great ways for students to show their connection to a book as well as to promote books to their peers.


For an example of how I created a "script" for my book trailer, visit the blog on my website at www.caroleedean.com

Carolee Dean is a high school speech-language pathologist and author of:

COMFORT (Houghton Mifflin)

TAKE ME THERE (Simon Pulse)

NO WAY OUT (Simon Pulse, 2012)

To find out about her books, writing activities, and author/poet visits, go to her website.



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Monday, February 7, 2011

February's Awesome Issue!

Spellbinders Logo
February, 2011
Another Book Giveaway!

Stuck in NeutralDon't forget to enter February's book giveaway of a copy of Stuck in Neutral by Terry Trueman. To Enter is easy: Just leave a comment on the Spellbinder blog or email Kimberley at kglittle@msn.com and you might win a copy of Stuck in Neutral, a Printz Honor book in 2001 and our guest this month here at Spellbinders Book News!

Feature Article

DEALING WITH DISABILITY by Carolee Dean

One of my favorite sessions at the YALSA (Young Adult Library Services Association) Symposium this past November was "Beyond Good Intentions and Chicken Soup: Young Adult Literature and Disability Diversity: How Far Have we come?" I found this session of particular interest since I work as a therapist in the public schools with students with a variety of disabilities including developmental delay, cerebral palsy and Asperger's syndrome.

Terry Trueman, author of the Printz Honor book Stuck in Neutral, and parent of a child with a severe disability, served on the panel, along with Dr. Heather Garrison and Dr. Katherine Schneider who discussed a variety of topics including how to use books to promote acceptance and diversity.

Terry Trueman

(Pictured: Carolee Dean and Terry Trueman at the YALSA Symposium)

They began the session by introducing the idea that disability is a social construct and that cultural perceptions of an individual often change based upon social views. In other words, a person with severe ADHD may be considered a poor student in a school setting because of his or her inability to focus, but might excel at athletics or music. Within the family or peer group, a person may be a vital contributing member, but struggle to find his or her place in the larger world of academics and work.

The panel discussed early literary portrayals of people with disability and the attitudes that these stories convey. Some of the titles included Of Mice and Men, A Christmas Carol, The Hunchback of Notre Dame, and To Kill a Mockingbird. In many cases people with disabilities have been depicted as outcasts or as having a bleak future with limited opportunities. The panelists contrasted these titles with recent examples from YA literature (see Kimberley's Book Buzz for a list) and gave several reasons to use YA literature to discuss disability diversity. Some of their reasons included the following:

1) These stories promote positive perceptions and combat negative stereotypes by portraying people with

disabilities realistically.

2) They create vicarious opportunities to experience the thoughts and perspectives of people

with disabilities.

3) They emphasize the similarities between all people.

4) They promote disability as a form of diversity and foster acceptance.

5) They create positive role models with whom readers with disabilities can identify.

For teachers and librarians looking for quality books exploring disability, the panelists suggested Five A's to remember when choosing titles: Attitudes, Accuracy, Appeal, Accessibility, and Awards. The Schneider Family Book Award given through the ALA recognizes high quality books about people with disabilities. Any of the books from their list would be excellent recommendations.

When evaluating the quality of books, the panel suggested looking for characters who have a role in the story equal to that of their non-disabled counterparts. At the same time, people with differences need not be portrayed as super-stars or "super-crips" with extraordinary powers related to their disabilities. Stories should foster the idea of acceptance of these characters and they shouldn't have to overcome their disability or prove themselves in some other way. The character should contribute more to the story than just being a person with a disability and should be multi-dimensional and believable. Most importantly, stories should avoid stereotypes.

Another important consideration when evaluating stories about people with disabilities is the author's credentials. Is the author a person with a disability or a parent, sibling or teacher of such a person? Do they have firsthand experience? Do they have the background to be able to provide accurate information?

Terry Trueman discussed how being the parent of a child with a severe disability influenced his writing of Stuck in Neutral, the story of a teenage boy named Shawn who is physically incapable of movement. He is totally dependent on others for his most basic care and can't even control his eyes volitionally. The world views him as retarded when he actually is quite intelligent, though he has no way to demonstrate this. In addition to his disability, Shawn also suffers from a violent seizure disorder which leads his father to believe tha Shawn is in agonizing pain when he is actually using the seizures to have out- of-body experiences. Shawn becomes convinced that his father is planning to kill him to put him out of his misery, and the contemplation of his possible demise leads him to appreciate what a rich inner life he truly has lead. Trueman effectively explores the world from the point of view of a teen with a severe disability, reminding us that no one can judge the quality of life of another. He also does a fabulous job of exploring the toll taken on the rest of a family and their relationships when so many emotional, physical, and financial resources must be spent caring for a disabled child.

People who are disabled, or differently-abled, which is a fairer term, are important contributors to society and are visible in our schools and work force in ever growing numbers. Understanding how to relate to people who are different and to celebrate their uniqueness is a skill that can be enhanced by experiencing unique world views through characters and stories.

Special Column
Interview with Author Terry Trueman by Carolee Dean
Terri Trueman, bio picTerry Trueman took time away from working on the rewrites for his upcoming novel Shifting Gears to talk with me by phone about his work and about being the parent of a child with a profound disability. Watch for Shifting Gears, coming in 2012. It's a genuine sequel to Stuck in Neutral, a 2001 Prinz Honor book and its companion book Cruise Control.

Stuck in Neutral is the story of Shawn McDaniel's, a teenage boy who is so severely disabled that he has no volitional control over any part of his body. In spite of this fact, or perhaps because of it, Shawn leads a rich inner life that no one is aware of, especially his father, whom Shawn believes wants to kill him to put him out of his misery.

Carolee: How has being the father of a son with a profound disability impacted the writing of these three books; Stuck in Neutral, its companion book, Cruise Control, and its sequel, Shifting Gears?

Terry: I never would have chosen the material for my first book Stuck in Neutral on my own. You could say it chose me. I would have traded anything for my son, Sheehan, to have had a more normal life.

Carolee: In other words, you would have traded your achievements as an author, which have largely been related to the success of Stuck in Neutral, if it meant that your son could have had a normal life?

Terry: Yes, but I must also say that if Sheehan hadn't been born and injured at his birth, then hundreds of thousands of people would not have had the chance to read Stuck in Neutral and had their perceptions about people like Shawn and his father changed as a result.

Carolee: What impact do you think Stuck in Neutral has had on changing the perception of people with profound disabilities?

Terry: I've done hundreds of school visits as well as library and public events and received well over 50,000 emails and letters over the last decade. The vast majority of people have read Stuck in Neutral and have questions or want to comment on the material.

I've been asked many times about the ending of the book. Readers are highly interested in what happens next to Shawn. Not one person has ever thought that Shawn's father should have followed through with killing him. Everyone wants Shawn to live. Now, if before reading the book I had told you that by the end you would be deeply concerned about what happens to a boy like Shawn, you never would have believed me. But that is exactly the response I get from readers. They care deeply about what happens to Shawn and they worry for him and want to know that he's going to be okay-which also answers the question of why I ended the book the way I did.

Carolee: It's certainly a fabulous book, one that sticks with you long after the last page, and challenges your perceptions of all people, not just those with disabilities. I'm glad it got so much exposure from winning the Prinz Honor. How do you feel that award has impacted the book and your writing career?

Terry: I got a late start. My first novel wasn't published until I was 52. Winning the Printz Honor sky-rocketed my career. It also helped get the book into the hands of people who needed to read it earlier than might have happened otherwise. I'll always be enormously grateful to YALSA and the ALA for choosing the book and for sponsoring the Prinz and other awards. Honors like this are great supports for writers, and Stuck in Neutral has continued to sell well, through all the vampires and werewolves and other fads.

Carolee: Shawn is such a strong male protagonist, and yet he appeals to female readers as well.

Terry: I write from a teenage boy's point of view, but it was never my intention to write for a specific gender. I try to write for smart readers. To make them think. To change them.

Carolee: What type of books did you enjoy as a young boy?

Terry: I was never a book reader myself as a boy. The books that were offered to me just weren't of interest. I enjoyed comic books and Mad magazine.

Carolee: Yes, it's a shame that more of that sort of reading isn't encouraged, or at least acknowledged, in schools. Your books contain so much, and yet they are quite sparse. Stuck in Neutral is only 128 pages. I think that appeals to a lot of boy readers.

Terry: I wrote poetry for many years before writing novels. Also, I type with two fingers, so shorter forms work well for me.

Carolee: Have you ever thought of writing a novel in verse?

Terry: Yes, but I've got several other projects in the works right now. I do enjoy verse novels. Two of my favorites are Love That Dog by Cheryl Creech and Stop Pretending by Sonya Sones. Sonya actually mentions Stuck in Neutral in another verse novel, One of Those Hideous Books Where the Mother Dies. She has the protagonist reading it.

Carolee: I loved the long narrative poem written from the father's point of view that runs throughout Stuck in Neutral.

Terry: I actually wrote the poem first. It's called Sheehan and it's about my son. My main purpose in writing Stuck in Neutral was to get the poem out into the world.

Carolee: Well you certainly accomplished that. Thank you so much for taking time away from your rewrites to spend some time here with us at Spellbinders.

Terry: Thank you for having me.

Carolee: And here's a note to our readers, if any of you haven't read Stuck in Neutral, a deeply moving and life-changing book, pick it up today. It's available in most bookstores and on amazon.com. You can also win a free copy by going to our blog site at http://spellbindersbooknews.blogspot.com and posting a comment about Terry's Q&A. Terry's poem Sheehan: Heartbreak and Redemption, is also available on amazon.com.

Kimberley's Book Buzz
Kimberley Griffiths Little

Kimberley Little

Kimberley Griffiths Little

Here's a list of books, fiction and non-fiction, about various disabilities for your students and kids to read and discuss in the classroom or at home. Enjoy!

FICTION:

Jerk, California by Jonathan Friesen (2008) about a boy with Tourette's syndrome.

Jerk, California
Marcelo in the Real World by Francisco X. Stork (2009) Prinz winner about a boy with an Asperger's like condition.

Marcelo in the Real World

Stoner & Spaz by Ron Koertge (2002) a quirky romance about a stoner girl and a boy with cerebral palsy.

Thorn by Betty Levin (2005) set in prehistoric times, babies born malformed die early. Thorn, a young boy with a shriveled leg is left on a deserted island.

Read My Lips by Teri Brown (2008) about a girl who is deaf trying to go to a regular high school.

Read My Lips

Girl, Stolen by April Henry (2010) is about a blind girl who gets kidnapped and how she uses her wits to stay alive.

Girl Stolen

The Last Book in the Universe by Rodman Philbrick (2000) futuristic look at genetic defects.
Last Book
The Silent Boy by Lois Lowry (2003) one of the main characters is a boy who doesn't talk.

NON-FICTION:

A Different Life by Quinn Bradlee (2009) growing up with learning disability.

Double Take by Kevin Michael Connolly (2009) congenital amputee.

Double Take
Owning It: Stories about Teens with Disabilities edited by Donald Gallo (2008)

Owning It

Church of 80% Sincerity by David Roche with a forward by Anne Lamott (2008) about facial deformity

I'll Scream Later by Betsy Sharkey and Marlee Matlin (2009) about a deaf actress

Just Don't Fall: How I Grew Up, Conquered Illness, and Made it Down the Mountain by John Sundquist (2010) about a skier with juvenile cancer.
Just Don't Fall

Thicker Than Water: Essays by Adult Siblings of People with Disabilities edited by Don Meyter (2009)

Kimberley Griffiths Little is the author of:

The Last Snake Runner (Knopf/Random

The Healing Spell (Scholastic Press)

Circle of Secrets (Scholastic Press, October 2011)

To find out more about Kimberley, her books, book trailers, and Author School visits, visit her website at www.kimberleygriffithslittle.com

The Secret Language of Stories
Carolee Dean
Carolee Dean
Carolee Dean

Most of the students I work with in the public schools have severe deficits in reading and writing and getting them to produce any type of written work is an ongoing challenge. By using the twelve step story method I have been discussing in my column, I provide students with concrete symbols to represent the sometimes abstract concepts of story plotting. By providing examples from movies they have seen and stories they have heard, even kids with severe learning challenges can join in discussions about plot and character.

Since written language is built upon the foundation of oral language, students can often tell stories orally that are far beyond their written language abilities. We often begin by using random magazine pictures to represent the old world vs. the new world. One of my favorite activities is something I call Magical, Musical, Magazine Places. I place pictures around the classroom, play music and then ask students to walk around among the pictures. When the music stops, they sit down and tell the group about the setting depicted in the picture and explain whether this is a main character's ordinary world or the new and adventurous story world. After several rounds of this activity, students choose their favorite picture and write a paragraph describing the setting. For students with more severe learning challenges, we may write a group story with everyone contributing ideas while either I or the classroom teacher writes them down.

Finding the types of stories that interest particular students can be a big key to success. One student with severe dyslexia refused almost all writing activities. One day he told me he wanted to design video games when he got older. Instead of criticizing his career choice, I told him that video games contain fabulous stories and I asked him if he would like to write a story based upon a game world. He got so involved in a project called we've called Planet Maze that he now goes right to the computer whenever he enters the room and starts working on his story.

I also frequently use stories to work on social skills with students on the autism spectrum. Many of these students create main characters with no friends or mentors. We discuss the importance of allies and I give suggestions for what kind of supporting characters may be helpful in their hero's quest. Adding a friend or mentor to the story opens up challenging opportunities to explore how character's work together for a common purpose.

Throughout the ages stories have provided one of our greatest instructional tools. Philosophers, religious leaders, teachers, and parents have used stories, parables, and fables to teach morality, wisdom, common sense, and virtue. As we try to come up with new and inventive ways to reach our students with differing abilities, sometimes going back to the story is the best place to start.

For an interesting activity on how to create a story using a video game model, check out the monthly writing blog on my website at www.caroleedean.com

Carolee Dean is the author of:

Comfort (Houghton Mifflin)

Take Me There (Simon Pulse)

No Way Out (Simon Pulse, 2012)

To find out more about Carolee, her books, school visits, and teacher trainings, visit her website at www.caroleedean.com.



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